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View fullsize I’ve lost my sketchbook again 🤷🏼‍♂️ It’s where I started mailing visual notes and thoughts, and spiralled into something that could have gone somewhere, but as I stop and start with my practice, I get used to the barriers and thin
View fullsize Swansonians, you are in for a treat this weekend, as the Beep Biennial Painting Prize preview is this Saturday (November 9th) at 6pm at @elysiumswansea, Swansea, South Wales. There’s loads of banging artists in it this year, including me with
View fullsize A little over a year ago, a film crew from the bbc descended upon the @nottinghamcastle taking advantage of the fact we were closed (about to open), and I witnessed the strange takeover by a lovely art department, film crews, acerbic and dismissive c
View fullsize A bittersweet morning saying goodbye to the incredible staff and facilities at @rainbow_horses_learning_centre. My heartfelt thanks to Sue; your support and care over the years to us as a family has changed us all and helped us on our own journey w
Album designs for The Cooper Temple Clause. Commissioned by RCA Records, 2002.

Album designs for The Cooper Temple Clause. Commissioned by RCA Records, 2002.

About

Tristram Aver has been involved in a range of artistic activities, including album/single cover artwork for The Cooper Temple Clause breakthrough album 'Kick Up The Fire and Let The Flames Break Loose' (2003), to producing commissions for major UK museums and galleries.  A graduate of Birmingham School of Art, with nearly 20 years’ experience in the Visual Arts sector, Aver has experience in both artist-led and publicly funded organisations, and worked on many high-profile contemporary and visual arts projects with artists, collections, curators, and institutions worldwide.

His work is also in significant private collections including the Bayswater Media Group, London, and The Stremmel Gallery Collection, Reno, Nevada, and Sir Paul Smith, Nottingham..

He is now currently Exhibitions Curator for Nottingham City Museums as head of creative programme, mainly working at Nottingham Castle Museum & Art Gallery.

He is an experienced, versatile, and resilient professional and mentor with a special interest in neurodivergence and ASD in the Visual Arts, a champion of access in the public realm, and a sensitive supporter of emerging and mid-career disabled artists. He is also an ardent advocate of contemporary painters and painting practices.

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